Tasmania 40° South Issue No 17
REGULARSEditorial Letters: Readers’ letters from around the world. The Irreverent Evers: George Drury by Nick Evers Portfolio: Graham Wootton The Night Sky: Stargazing on Winter Evenings by Martin George Wine: Winemaker with a Mission by Mark Smith Gardens: Winter Grandeur by Louise Earwaker Theatre in Tasmania: Community Theatre Alive and Well in Huonville by Mike Edwards Books and Writers by Robert Cox and Warren Boyles Why the World Begins Where It Appears to End by Mike Jenkinson Theatre in Tasmania: SCAPE Goat Parting Shot: East Coast images FEATURES Tasmania Together by Peg Putt and Sue Napier The Unique Mountain Orchestra by Chris Cooper and Lyn Wilson ‘Queenie’ of the West Coast by Peter Schulze and Warren Boyles The Queenstown Road: the End of Isolation by Les Morley A Passion for Paper by Di Klaosen New Life for Beaconsfield’s ‘Grand Old Tassie’ by Anne O’Connor Plus ca Change by Robert Cox The Fringe Festival Tasmania’s Experimental Artists by Caroline Flood Australian Animals through the Lens by Randy Rose The Three Omegas by Tom Lewis Fireside Food by Paul Cullen ‘Fear No More the Lightning Flash’ Peace and the Plough German Settlement on the East Coast by Elizabeth Dean The Year of Aurora Australis by Pene Greet First Views: Morton Allport’s Photographs of Lake St Clair, 1963 by Gillian Winter 40 Degrees Below by Gabi Mocatta Of Dukes and Decorum by Rachael Smith Conifers from Gondwana? By Nicholas Fitzgerald
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